Note that this is not a lens color cast issue, because LCC has been applied and the 2 minute exposure does not suffer from this red shadow problem.Īfter I looked into these examples, I recalled that when I first tested the IQ3 100MP about 6 months ago I did notice that the darkframe of the 20 minute long exposure looked red.įor comparison, the IQ250 does not have this issue at all.
IQ3 100MP + Rodenstock 23mm HR-S, 2 minutes vs 7 minutes: Adjusting white balance does not fix the red color cast in shadow. Note that it's not a white balance problem. IQ3 100MP + Rodenstock 50mm HR-W, 32 minutes: If darkframe noise reduction is disabled with "Aerial Mode", the IQ3 100MP gradually fills up shadow with red color cast if the exposure time is over 2 minutes. Those are two important things for a long exposure which help to really elevate your photos into what I like to call miracle photos.I haven't received my IQ3 100MP yet due to the earthquake, but a friend of mine found a problem with it: Tip #5: Make sure you have water and the sky in your photo But if you shoot where the sun sets you will always have great details even after sunset, and it is the right time for these type of photos. You can see that we get less and less details in the sky. You can see on this photo that the sun is setting on the left.Īnd as I turn the camera more away from the sun and back towards the city you get this view. When it is behind the horizon line it will always give you a nice sky with lots of color and gradations. When you are doing a long exposure without an ND filter (so as to avoid the color cast, tip #1), a good thing to do is to shoot toward the sun. Go ahead and try 8 seconds, 15 seconds, 25 seconds all without touching the tripod and then when you are evaluating your photos for retouching you will have several options. So you already have your camera setup and on a tripod.
For example, I thought that this first image was my go-to photo.īut in the end the one that I am going to retouch and going to send to the gallery is this one. Tip #3: Try different exposures of the same sceneĮven though I said that 25 seconds exposure is the best, it’s always good to shoot different exposures because this may be different for your situation. Just make sure you check your focus to ensure the background is sharp. If your photo is too bright you can adjust the aperture to f/14 and if it is too dark you can even put your aperture to f/4.
Magenta colorcast long night exposures manual#
To conclude 25 seconds is the best long exposure, you don’t even need a remote, you just need to put your camera on the 2-second timer and go into manual shooting mode, use a low ISO, and an aperture that is going to work like f/7 or f/8. Now it does seem like the highlights in the photos are a little burnt, but I have found that on city lights it doesn’t really matter that much because it still works great on a print. So I went ahead and put the exposure time to 25 seconds. I do have all the details of the photo, but the only problem is that the clouds were not moving and the water is not silky. So when you open up the shadows, bring down the highlights, and boost the exposure a little bit like so: Now, in taking the photo I exposed the image for the highlights. The best indicator that people like your photos is that they buy them.įirst I started with a 6 second exposure. Obviously it’s also an artistic choice, but as a photographer you likely want people to buy your photos. Here is why I recommend this I’ve found that when I shoot at 25 seconds it makes the water silky and the clouds stretchy and this has a beautiful look that sells well. Not as bold as stating that French food is the best in the world, but still a bold statement. Tip #2: The best time for long exposures is 25 seconds Don’t get me wrong, I love ND filters but not at night.
Magenta colorcast long night exposures iso#
Shoot when the sun is going down and keep your camera at a low ISO like 100 or 200. Yes you can use a polarizer, but avoid Neutral Density filters. If you put an ND filter on it is going to give you a color cast during long exposures. There was less light, so that I didn’t have to put an ND Filter on. That is quite a long exposure and to help prevent it from blowing out, I took the photo right at the end of sunset. On this photo (below) I did a 25 second exposure. Tip #1: Try to avoid using a Neutral Density filter So here are the 6 tips to make your long exposure photographs at night: I have learned the hard way by making every mistake possible and through that finding what really does work. In this article I am going to share with you six tips that I have found to produce amazing long exposure night photographs.
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